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Chapter One

Teddy Daniel's father had been a fisherman. He lost his boat to the bank in '31 when Teddy was eleven, spent the rest of his life hiring onto other boats when they had the work, unloading freight along the docks when they didn't, going long stretches when he was back at the house by ten in the morning, sitting in an armchair, staring at his hands, whispering to himself occasionally, his eyes gone wide and dark.

He'd taken Teddy out to the islands when Teddy was still a small boy, too young to be much help on the boat. All he'd been able to do was untangle the lines and tie off the hooks. He'd cut himself a few times, and the blood dotted his fingertips and smeared his palms.

They'd left in the dark, and when the sun appeared, it was a cold ivory that pushed up from the edge of the sea, and the islands appeared out of the fading dusk, huddled together, as if they'd been caught at something.

Teddy saw small, pastel-colored shacks lining the beach of one, a crumbling limestone estate on another. His father pointed out the prison on Deer Island and the stately fort on Georges. On Thompson, the high trees were filled with birds, and their chatter sounded like squalls of hail and glass.

Out past them all, the one they called Shutter lay like something tossed from a Spanish galleon. Back then, in the spring of '28, it had been left to itself in a riot of its own vegetation, and the fort that stretched along its highest point was strangled in vines and topped with great clouds of moss.

"Why Shutter?" Teddy asked.

His father shrugged. "You with the questions. Always the questions."

"Yeah, but why?"

"Some places just get a name and it sticks. Pirates probably."

"Pirates?" Teddy liked the sound of that. He could see them -- big men with eye patches and tall boots, gleaming swords.

His father said, "This is where they hid in the old days." His arm swept the horizon. "These islands. Hid themselves. Hid their gold."

Teddy imagined chests of it, the coins spilling down the sides.

Later he got sick, repeatedly and violently, pitching black ropes of it over the side of his father's boat and into the sea.

His father was surprised because Teddy hadn't begun to vomit until hours into the trip when the ocean was flat and glistening with its own quiet. His father said, "It's okay. It's your first time. Nothing to be ashamed of."

Teddy nodded, wiped his mouth with a cloth his father gave him.

His father said, "Sometimes there's motion, and you can't even feel it until it climbs up inside of you."

Another nod, Teddy unable to tell his father that it wasn't motion that had turned his stomach.

It was all that water. Stretched out around them until it was all that was left of the world. How Teddy believed that it could swallow the sky. Until that moment, he'd never known they were this alone.

He looked up at his father, his eyes leaking and red, and his father said, "You'll be okay," and Teddy tried to smile.

His father went out on a Boston whaler in the summer of '38 and never came back. The next spring, pieces of the boat washed up on Nantasket Beach in the town of Hull, where Teddy grew up. A strip of keel, a hot plate with the captain's name etched in the base, cans of tomato and potato soup, a couple of lobster traps, gap-holed and misshapen.

They held the funeral for the four fishermen in St. Theresa's Church, its back pressed hard against the same sea that had claimed so many of its parishioners, and Teddy stood with his mother and heard testimonials to the captain, his first mate, and the third fisherman, an old salt named Gil Restak, who'd terrorized the bars of Hull since returning from the Great War with a shattered heel and too many ugly pictures in his head. In death, though, one of the bartenders he'd terrorized had said, all was forgiven.

The boat's owner, Nikos Costa, admitted that he'd barely known Teddy's father, that he'd hired on at the last minute when a crew member broke his leg in a fall from a truck. Still, the captain had spoken highly of him, said everyone in town knew that he could do a day's work. And wasn't that the highest praise one could give a man?

Standing in that church, Teddy remembered that day on his father's boat because they'd never gone out again. His father kept saying they would, but Teddy understood that he said this only so his son could hold on to some pride. His father never acknowledged what had happened that day, but a look had passed between them as they headed home, back through the string of islands, Shutter behind them, Thompson still ahead, the city skyline so clear and close you'd think you could lift a building by its spire. "It's the sea," his father said, a hand lightly rubbing Teddy's back as they leaned against the stern. "Some men take to it. Some men it takes."

And he'd looked at Teddy in such a way that Teddy knew which of those men he'd probably grow up to be.

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The foregoing is excerpted from Shutter Island by Dennis Lehane. All rights reserved. No part of this book may be used or reproduced without written permission from HarperCollins Publishers, 10 East 53rd Street, New York, NY 10022

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Synopsis

Summer, 1954.

U.S. Marshal Teddy Daniels has come to Shutter Island, home of Ashecliffe Hospital for the Criminally Insane. Along with his partner, Chuck Aule, he sets out to find an escaped patient, a murderess named Rachel Solando, as a hurricane bears down upon them.

But nothing at Ashecliffe Hospital is what it seems.

And neither is Teddy Daniels.

Is he there to find a missing patient? Or has he been sent to look into rumors of Ashecliffe’s radical approach to psychiatry? An approach that may include drug experimentation, hideous surgical trials, and lethal countermoves in the shadow war against Soviet brainwashing. . . .

Or is there another, more personal reason why he has come there?

As the investigation deepens, the questions only mount:

How has a barefoot woman escaped the island from a locked room?

Who is leaving clues in the form of cryptic codes?

Why is there no record of a patient committed there just one year before?

What really goes on in Ward C?

Why is an empty lighthouse surrounded by an electrified fence and armed guards?

The closer Teddy and Chuck get to the truth, the more elusive it becomes, and the more they begin to believe that they may never leave Shutter Island. Because someone is trying to drive them insane. . . .

Author

Dennis Lehane was born and raised in Dorchester, Massachusetts. He started writing mysteries during his fine-writing studies at Eckerd College and Florida International University and those efforts led to his first novel, published when he was 25. He currently lives in Boston with his wife, Sheila.