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PROLOGUE

GEOFFREY SHAFER, dashingly outfitted in a single-breasted blue blazer, white shirt, striped tie, and narrow gray trousers from H. Huntsman & Sons, walked out of his town house at seven-thirty in the morning and climbed into a black Jaguar XJ12.

He backed the Jag slowly out of the driveway, then stepped on the accelerator. The sleek sports car rocketed up to fifty be-fore it reached the stop sign at Connecticut Avenue, in the posh Kalorama section of Washington, D.C.

When Shafer reached the busy intersection, he didn't stop. He floored the accelerator, picking up more speed. 

He was doing sixty-five and ached to crash the Jag into the stately fieldstone wall bordering the avenue. He aimed the Jag closer to the wall. He could see the head-on collision, visualize it, feel it all over.

At the last possible second, he tried to avoid the deadly crash. He spun the wheel hard to the left. The sports car fish-tailed all the way across the avenue, tires screeching and burning, the smell of rubber thick in the air.

The Jag skidded to a stop, headed the wrong way on the street, the windshield issuing its glossy black stare at a barrage of early oncoming traffic.

Shafer stepped on the accelerator again and headed forward against the oncoming traffic. Every car and truck began to honk loud, sustained blasts.

Shafer didn't even try to catch his breath or bearings. He sped along the avenue, gaining speed. He zoomed across Rock Creek Bridge and made a left, then another left onto Rock Creek Parkway.

A tiny scream of pain escaped from his lips. It was involuntary, coming swiftly and unexpectedly. A moment of fear, weakness. 

He floored the gas pedal again, and the engine roared. He was doing seventy, then pressing to eighty. He zigged and zagged around slower-moving sedans, sport-utility vehicles, a soot-covered A&P delivery truck.

Only a few honked now. Other drivers on the parkway were terrified, scared out of their minds. He exited the Rock Creek Parkway at fifty miles an hour, then he gunned it again.

P Street was even more crowded at that hour than the park-way had been. Washington was just waking up and setting off to work. He could still see that inviting stone wall on Connecticut. He shouldn't have stopped. He began searching for another rock-solid object, looking for something to hit very hard.

He was doing eighty miles an hour as he approached Dupont Circle. He shot forward like a ground rocket. Two lines of traffic were backed up at a red light. No way out of this one, he thought. Nowhere to go left or right.

He didn't want to rear-end a dozen cars! That was no way to end this ' end his life ' by smashing into a commonplace Chevy Caprice, a Honda Accord, a delivery truck.

He swerved violently to the left and veered into the lanes of traffic coming east, coming right at him. He could see the panicked, disbelieving faces behind the dusty, grime-smeared windshields. The horns started to blast, a high-pitched sym-phony of fear.

He ran the next light and just barely squeezed between an oncoming Jeep and a concrete-mixer truck.

He sped down M Street, then onto Pennsylvania Avenue, and headed toward Washington Circle. The George Washington University Medical Center was up ahead ' a perfect ending' 

The Metro patrol car appeared out of nowhere, its siren-bullhorn screaming in protest, its rotating beacon glittering, signaling for him to pull over. Shafer slowed down and pulled to the curb. 

The cop hurried to Shafer's car, his hand on his holster. He looked frightened and unsure.

'Get out of the car, sir,' the cop said in a commanding voice.

'Get out of the car right now.'

Shafer suddenly felt calm and relaxed. There was no tension left in his body.

"All right. All right. I'm getting out. No problem." 

"You know how fast you were going?" the cop asked in an agitated voice, his face flushed a bright red. Shafer noticed that the cop's hand was still on his gun.

Shafer pursed his lips, thought about his answer. "Well, I'd say about thirty, Officer," he finally said. "Maybe a little over the speed limit."

Then he took out an I.D. card and handed it over. "But you can't do anything about it. I'm with the British Embassy. I have diplomatic immunity."

II

That night, as he was driving home from work, Geoffrey Shafer started to feel that he was losing control again. He was beginning to frighten himself. His whole life had begun to revolve around a fantasy game he played called the Four Horsemen. In the game, he was the player called Death. The game was everything to him, the only part of his life with real meaning.

He sped across town from the British Embassy, all the way to the Petworth district of Northwest. He knew he shouldn't be there, a white man in a spiffy Jaguar. He couldn't help himself, though, any more than he could that morning. He stopped the car just before he got to Petworth. Shafer took out his laptop and typed a message to the other players, the Horsemen.

FRIENDS,
DEATH IS ON THE LOOSE IN WASHINGTON.
THE GAME IS ON.

He started the Jag again and rode a few more blocks to Pet-worth. The usual outrageously provocative hookers were already parading up and down Varnum and Webster streets. A song called "Nice and Slow" was playing from a vibrating blue BMW. Ronnie McCall's sweet voice blended into the early evening.

The girls waved to him and showed their large, flat, pert, or flabby breasts. Several wore colorful bustiers with matching hot pants and shiny silver or red platform shoes with pointy heels. 

He slowed to a stop beside a small black girl who looked to be around sixteen and had an unusually pretty face. Her legs were long and slender for such a petite body. She wore too much makeup for his taste. Still, she was hard to resist, so why should he?

"Nice car. Jaguar. I like it a lot," she cooed, then smiled and made a sexy little o with her lipsticked mouth. "You're cute, too, mistah."

He smiled back at her. "Jump in, then. Let's go for a test ride. See if it's true love or just infatuation.' He glanced around the street quickly. None of the other girls were working this corner. 

"A hundred for full-service, sweetie?" she asked as she wiggled her tight little butt inside the Jag. Her perfume smelled like eau de bubble gum, and she seemed to have bathed in it. 

"As I said, get into the car. A hundred dollars is petty cash for me."

He knew he shouldn't be picking her up in the Jaguar, but he took her for a joy ride anyway. He couldn't help himself now. 

He brought the girl to a small, wooded park in a part of Washington called Shaw. He parked in a thicket of fir trees that hid the car from sight. He looked at the prostitute, and she was even smaller and younger than he had thought. 

"How old are you?" he asked.

"How old you want me to be?" she said, and smiled. "Sweetie, I need the money first. You know how it works." 

"Yes. But do you?" he asked.

He reached into his pocket and pulled out a switchblade knife. He had it at her throat in an instant.

"Don't hurt me," she whispered. "Just be cool."

"Get out of the car. Slowly. Don't you dare scream. You be cool."

Shafer got out with her, staying close, the knife still pressed to the hollow of her throat.

"It's all just a game, darling," he explained. "My name is Death. You're a very lucky girl. I'm the best player of all." 

As if to prove it, he stabbed her for the first time.

Copyright © 1999 James Patterson
Reprinted with permission. (back to top)

Synopsis

"Detective Alex Cross is back - and he's in love. But his happiness is threatened by a series of chilling murders in Washington, DC murders with a pattern so twisted, it leaves investigators reeling. Cross's ingenious pursuit of the killer produces a suspect - a British diplomat named Geoffrey Shafer. But proving that Shafer is the murderer becomes a potentially deadly task. As the diplomat engages in a brilliant series of surprising countermoves, in and out of the courtroom, Alex and his fiancée become hopelessly entangled with the most memorable nemesis Alex Cross has ever faced.

Pop the Goes the Weasel reveals James Patterson at the peak of his power with his most dynamic and powerful psychological thriller to date. Here is a chilling villain no reader will forget, a love story of great tenderness, and a plot of relentless suspense and heart-pounding pace. To read Pop Goes the Weasel is to discover why James Patterson is one of the great suspense writers of our time."

Amazon readers rating: from 286 reviews

Author

After initially being turned down by twenty-six publishers, James Patterson's first novel, The Thomas Berryman Number, was published and went on to win the Edgar Award for Best First Mystery Novel. That was in 1976 when he was just twenty-seven years old.

Twenty-three years later, Patterson has penned over one-half dozen novels and has created one of America's most memorable modern heroes, Alex Cross. With the publication of the bestseller Along Came a Spider in 1993, Patterson's popularity as a mastermind of page-turning thrillers was set. Kiss the Girls followed and was turned into a major motion picture by Paramount starring the inimitable Morgan Freeman as Alex Cross.

Patterson grew up in Newburgh, New York, fifty miles north of New York City where he currently resides. Patterson was valedictorian of the class of '65 at St. Patrick's, a Christian Brothers school and majored in English at Manhattan College. Patterson who says he "lives full-time" is also chairman of J. Walter Thompson North America.