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For the word “certain,” Miss Jane often said “determined.” “I’m not
entirely determined what to do with you scholars, but I shall give you fair
warning.
I won’t abide slothfulness in the young.” “Abide” was another of Miss Jane’s
favorite expressions. And she loved the word “vex” to denote a frame of mind
just
this side of anger. “Class, you are late in from recess again. How many times
must I tell you that in this short life punctuality is all? Sometimes you vex me
beyond human endurance.”
As the sole proprietor and last resident of Kingdom Mountain,
Miss
Jane Hubbell Kinneson was vexed, and mightily so, by anyone who
presumed to
interfere in her affairs there. She was vexed by King James the First, whom
she
held personally responsible for the King James Bible. She was also vexed,
though
perhaps only mildly, by her title in the village, where she was known as the
Duchess of Kingdom Mountain. Most of all, in the late winter of 1930, she
was
vexed by the proposed highway that would cut directly over the top of her
mountain, linking Kingdom County and the rest of Vermont with the Eastern
Townships of Quebec and Montreal.
Most Commoners, as the villagers called themselves in those
days,
referred to the new road as the Connector. Miss Jane called it the high road,
no
one was sure why. Maybe this was another of her beloved Kinneson
anachronisms. Or perhaps she thought of the Connector as the high road
because it would pass mainly through elevated terrain, skirting the river
valleys
where the villages and more prosperous farms were located. Then again, she
may
have wished to distinguish it from the tangled network of country lanes and
dirt
roads linking the hill farms and upland hamlets of the county one to another
in the
roundabout manner of the Kingdom of that era, where a straight line was
almost
never the shortest distance between two points. This much was certain: there
would be nothing circuitous about the Connector. And there was no doubt at
all
that the proposed highway was a vexation Miss Jane Hubbell Kinneson would
not
abide.
Yet the Duchess was as unpredictable as she was stubborn. At
the
public hearing for the Connector at the Kingdom Common town hall, she
listened
to other farmers whose land would be confiscated inveigh against change in
general and the new road in particular. She listened to her cousin Eben
Kinneson
Esquire, the wealthiest man in Kingdom County and the chief attorney for the
highway project, present plans and maps and assure landowners that every
effort
had been made to route the Connector through higher, less valuable terrain.
When her cousin Charles Kinneson, the editor of the Kingdom County
Monitor,
pointed out that the Kingdom’s hill farmers valued their high mowings and
mountain meadows as much as the valley farmers valued their river-bottom
land,
Miss Jane merely pursed her lips. Maybe she knew that protesting would do
no
good. Even as she sat in the little town hall listening to the debate, the right
of way
for the high road was unspooling northeast from the Common with something
of
the inexorableness of the glacier that, ten thousand years before, had carved
out
the hills and valleys of what would become northern Vermont. The hill
farmers’
best hope now, their last hope, really, was that the Duchess, who for
decades had
held sway over Kingdom Mountain like a Russian empress, and whose words
at
town meeting still caused grown men whom she had taught as boys to quake
in
their boots, would speak for them. Wasn’t Miss Jane widely believed to have
second sight? Perhaps she would prophesy some magnificent catastrophe if
the
township went ahead with the Connector.
At last Jane rose. Tall and slender, with long, light hair and wide-
set
gray eyes, still a strikingly attractive woman at nearly fifty, she stepped into
the
sloping wooden aisle of the hall where, some thirty years earlier, she had
delivered her high school valedictory, a scathing denunciation of small-town
complacency and provincialism that had shocked the entire room into a
prolonged
and stunned silence. But instead of the expected denunciation of progress
she
said only, in her usual direct manner, “I can plainly see that in this instance
we
shall have to render unto Caesar what’s his. In Vermont, at least, this high
road
will go where it has a mind to go.”
While Eben Kinneson Esquire and the town fathers probably did
not
much relish being compared to a Roman dictator, it was with evident relief
that
Eben said, “We appreciate your willingness to understand our situation,
cousin.
Particularly in your case, where this is such a personal matter. Of course we,
I
mean we the town, will take care to cross your mountain at the very farthest
remove from your house and fields.”
“You the town will do no such thing,” Miss Jane said. “I said, in
Vermont the high road will go where it wishes. Kingdom Mountain is not in
Vermont.Nor is it in Canada. It is an entity unto itself, every square foot of
which
belongs to me.”
“Cousin, as I’m sure you know, that notion has long since —”
“Hear me well, sir,” Miss Jane interrupted. “If I spy you or any of
your
legions on my mountain, I’ll defend it by whatever means are necessary.”
It is difficult to say how such a declaration might have been
greeted
elsewhere. With applause, maybe. In the town hall of Kingdom Common on
that
long-ago March evening, Miss Jane’s announcement was met with solemn
nods of
satisfaction. Eben Kinneson Esquire said nothing more. But not a soul in the
room
doubted that the battle for Kingdom Mountain had been joined.
Copyright © 2007 by Howard Frank Mosher
Reprinted by permission of Houghton Mifflin Company
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Synopsis
Set in northern Vermont in 1930, On Kingdom Mountain recounts the life and times of Miss Jane Hubbell Kinneson. A renowned local bookwoman and bird carver, she is the sole proprietor and last resident of a remote and wild mountain situated on the U.S.Canadian border, now threatened by the Connector, a proposed new highway over her mountain. Abounding with Howard Frank Moshers trademark action scenes, from daring bank robberies to outrageous comedy to a passionate and surprising love affair, On Kingdom Mountain is rooted deeply in Moshers own family history, in one of Americas last frontiers, and in a way of life on the brink of extinction.
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Author
Howard Frank Mosher has been described by the Los Angeles Times as “a combination of Ernest Hemingway, Henry David Thoreau, and Jim Harrison.” He has received a Guggenheim fellowship and a National Endowment for the Arts
fellowship, the American Academy of Arts and Letters Literature Award, the
American Civil Liberties Union Award for Excellence in the Arts, and the New
England Book Award.
Mosher was born in upstate New York, he is a longtime resident of Vermont's Northeast Kingdom, where he lives with
Phillis, his wife of nearly four decades—the inspiration for Yellow Sage Flower Who Tells Wise Stories in The True Account. They have two children.
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