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Think clearly. There must be a reason for this. Think. People in prison were restrained. Not relevant. What else? Patients in hospitals can have restraints placed on them in order to prevent them harming themselves. Lying on a stretcher. Restrained on a stretcher prior to being wheeled in for an operation. I've been in an accident. Say, a car accident, which is most likely. Statistically. Severe but not life-threatening. Any sudden movement could cause, and the phrase came to me out of nowhere, severe internal bleeding. The patient could fall off the stretcher. It's just a matter of waiting for the nurse or the anesthetist. Perhaps I had been given the anesthetic already. Or a pre-anesthetic. Hence the vacancies in my brain. Strange quiet, but you do hear of people in hospitals lying around on stretchers for hours waiting for a free operating room. Problems with the theory. I didn't seem to be lying on a stretcher. The smell was of dankness, mildew, things that were old and decaying. All I could feel with my fingers was concrete or stone. My body was lying on something hard. I tried to think of other possibilities. After famous disasters bodies were stored in improvised morgues. School gymnasiums. Church halls. I could have been in a disaster. The injured could have been placed wherever there was room. Restrained to prevent them injuring themselves. Would they be hooded as well? Surgeons were hooded. But not their eyes. Perhaps to prevent infection. I raised my head again. With my chin I felt a shirt. I was wearing clothes. Yes. I could feel them on my skin. A shirt, trousers, socks. No shoes. There were other things at the edge, clamoring to be admitted to my brain. Bad things. Restrained. In the dark. Hooded. Ridiculous. Could it be a joke? I remembered stories of students. They get you paralytically drunk, put you on a train at Aberdeen. You wake up in London dressed only in your underwear with a fifty-pence piece in your hand. Everyone will jump out in a minute, pull off the blindfold, and shout "April fool." We'll all laugh. But was it April? I remembered cold. Had summer been? Was summer still to come? But of course a summer had always been and there was always another summer to come. ALL THE ALLEYS WERE BLIND. I had gone up them all and found nothing. Something had happened. I knew that. One possibility was that it was something funny. It didn't feel funny. Another possibility, possibility number two, was that something had happened and it was in the process of being officially dealt with. The hood-or bandage, yes, very possibly a bandage. That was a thought. I could have received a head wound, eye or ear damage, and my entire head was bandaged and hooded for my own protection. They would be removed. There would be some stinging. A cheery face of a nurse. A doctor frowning at me. Don't worry, nothing to worry about. That's what they'd say. Call me dear. There were other possibilities. Bad ones. I thought of the stone under my fingers. The damp air, like a cave. Until now, there had been only the pain and also the mess of my thoughts, but now there was something else. Fear in my chest like sludge. I made a sound. A low groan. I was able to speak. I didn't know who to call or what to say. I shouted more loudly. I thought the echoing or harshness of the sound might tell me something about where I was but it was muffled by my hood. I shouted again so that my throat hurt. Now there was a movement nearby. Smells. Sweat and scent. A sound of breathing, somebody scrambling. Now my mouth was full of cloth, I couldn't breathe. Only through my nose. Something tied hard around my face. Breath on me, hot on my cheek, and then, out of the darkness, a voice, little more than a whisper, hoarse, strained, thick so I could barely make it out. "No," it said. "Make another sound and I'll block your nose as well." I WAS GAGGING on the cloth. It filled my mouth, bulged in my cheeks, rubbed against my gums. The taste of grease and rancid cabbage filled my throat. A spasm jerked my body, nausea rising through me like damp. I mustn't be sick. I tried to take a breath, tried to gasp through the cloth but I couldn't. I couldn't. I was all stopped up. I tugged with my arms and my ankles against the restraints and tried to take a breath and it was as if my whole body was twitching and shuddering on the rough stone floor and no air inside me, just violent space and red behind my bulging eyes and a heart that was jolting up through my throat and a strange dry sound coming from me, like a cough that wouldn't form. I was a dying fish. A fish thrashing on the hard floor. I was hooked and tied down, but inside me I was coming loose, all my innards tearing apart. Is this what it's like? To die? To be buried alive? I had to breathe. How do you breathe? Through your nose. He'd said so. The voice had said he'd block my nose next. Breathe through my nose. Breathe now. I couldn't take enough air in that way. I couldn't stop myself trying to gasp, trying to fill myself up with air. My tongue was too big to fit in the tiny space left in my mouth. It kept pushing against the cloth. I felt my body buck again. Breathe slowly. Calmly. In and out, in and out. Breathe like that until there's nothing except the sense of it. This is how to keep alive. Breathe. Thick, musty air in my nostrils, oily rottenness running down my throat. I tried not to swallow but then I had to and again biliousness flowed through me, filled my mouth. I couldn't bear it. I could bear it. I could, I could, I could. Breathe in and out, Abbie. Abbie. I am Abbie. Abigail Devereaux. In and out. Don't think. Breathe. You are alive. THE PAIN INSIDE MY SKULL rolled back. I lifted my head a bit and the pain surged towards my eyes. I blinked my eyes and it was the same deep darkness when they were open and when they were closed. My eyelashes scraped against the hood. I was cold. I could feel that now. My feet were chilly inside the socks. Were they my socks? They felt too big and rough-unfamiliar. My left calf ached. I tried to flex my leg muscles to get rid of the cramped feeling. There was an itch on my cheek, under the hood. I lay there for a few seconds, concentrating only on the itch, then I turned my head and tried to rub the itch against a hunched shoulder. No good. So I squirmed until I could scrape my face along the floor. And I was damp. Between my legs and under my thighs, stinging my skin beneath my trousers. Were they my trousers? I was lying in my own piss, in the dark, in a hood, tied down, gagged. Breathe in and out, I told myself. Breathe in and out all the time. Try to let thoughts out slowly, bit by bit, so you don't drown in them. I felt the pressure of the fears dammed up inside me, and my body was a fragile, cracking shell full of pounding I made myself think only of breathing, in and out of my nostrils. In and out. Someone-a man, the man who had pushed this cloth into my mouth-had put me in this place. He had taken me, strapped me down. I was his prisoner. Why? I couldn't think about that yet. I listened for a sound, any sound except the sound of my breath and the sound of my heart and, when I moved, the rasp of my hands or feet against the rough floor. Perhaps he was here with me, in the room, crouching somewhere. But there was no other sound. For the moment I was alone. I lay there. I listened to my heart. Silence pressed down on me. AN IMAGE FLITTED through my head. A yellow butterfly on a leaf, wings quivering. It was like a sudden ray of light. Was it something I was remembering, a moment rescued out of the past and stored away till now? Or was it just my brain throwing up a picture, some kind of reflex, a short circuit? A MAN HAD TIED ME in a dark place. He must have snatched me and taken me here. But I had no memory of that happening. I scrabbled in my brain, but it was blank-an empty room, an abandoned house, no echoes. Nothing. I could remember nothing. A sob rose in my throat. I mustn't cry. I must think, but carefully now, hold back the fear. I must not go deep down. I must stay on the surface. Just think of what I know. Facts. Slowly I will make up a picture and then I'll be able to look at it. My name is Abigail-Abbie. I am twenty-five years old, and I live with my boyfriend, Terry, Terence Wilmott, in a poky flat on Westcott Road. That's it-Terry. Terry will be worried. He will phone the police. He'll tell them I have gone missing. They'll drive here with flashing lights and wailing sirens and hammer down the door and light and air will come flooding in. No, just facts. I work at Jay and Joiner, designing office interiors. I have a desk, with a white and blue laptop computer, a small grey phone, a pile of paper, an oval ashtray full of paperclips and elastic bands. When was I last there? It seemed impossibly far off, like a dream that disappears when you try to hold on to it; like someone else's life. I couldn't remember. How long had I lain here? An hour, or a day, or a week? It was January, I knew that-at least, I thought I knew that. Outside, it was cold and the days were short. Maybe it had snowed. No, I mustn't think of things like snow, sunlight on white. Stick only to what I knew: January, but I couldn't tell if it was day or night. Or perhaps it was February now. I tried to think of the last day I clearly remembered, but it was like looking into a thick fog, with indistinct shapes looming. Start with New Year's Eve, dancing with friends and everyone kissing each other on the stroke of midnight. Kissing people on the lips, people I knew well and people I'd met a few times and strangers who came up to me with arms open and an expectant smile because kissing is what you do on New Year's Eve. Don't think of all that though. After New Year's Eve, then, yes, there were days that stirred in my mind. The office, phones ringing, expense forms in my in-tray. Cups of cooling bitter coffee. But maybe that was before, not after. Or before and after, day after day. Everything was blurred and without meaning. I tried to shift. My toes felt stiff with cold and my neck ached and my head banged. The taste in my mouth was foul. Why was I here and what was going to happen to me? I was laid out on my back like a sacrifice, arms and legs pinned clown. Dread ran through me. He could starve me. He could rape me. He could torture me. He could kill me. Maybe he had already raped me. I pressed myself against the floor and whimpered deep down in my throat. Two tears escaped from my eyes and I felt them tickle and sting as they ran down towards my ears. Don't cry, Abbie. You mustn't cry. Copyright � 2003 Nicci FrenchReprinted with permission. |
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Synopsis Abbie Devereaux lies flat on her back, her arms and legs tied down, her head covered with a hood. She senses the eyes that watch her. She feels the unknown hands that touch her in the dark. She knows she has been kidnapped. And she knows that somehow she must stay alive, even though everything she is experiencing tells her she won't. Miraculously, she escapes. One nightmare is over but another is about to begin. Her memories of the recent past--where she lives, whether she has a job, where she stands with her boyfriend--are oddly out of synch with reality, her normal, everyday life in "the land of the living." As the authorities question her credibility, Abbie can't help but wonder if there is a connection between the facts she has forgotten and the kidnapping itself. Now there's only one way to reclaim both her mind and her life--and stop a monstrous psycho-killer. She must dare to retrace her steps to the place where all the horror began. A masterful
achievement of brilliantly etched characters and harrowing suspense, LAND
OF THE LIVING will shock you at every turn
and force you to walk
the fine line between madness and fear. Author
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