"Waiting for an Angel"
(reviewed by Mary Whipple JUN 01, 2004)
"When I turn it is not a soldier standing there. It is an angel. It opens its enormous wings and closes them again in a clapping motion. The air from the wings lifts me up and carries me out through the door. I land with a splash on the wet street. I am bleeding from the chest."
Nigeria in the 1990s, the setting for this novel, was a police state of such sadistic violence, with human rights abuses so staggering, that the country was expelled from the Commonwealth of Nations, and virtually every other country had sanctions against it. As the author says in the Afterword to this stunning novel, "There was nothing to believe in: the only mission the military rulers had was systematically to loot the national treasury; their only morality was a vicious survivalist agenda in which any hint of disloyalty was ruthlessly crushed." Every hint of dissent and every suspicion of democratic thinking by many of the country's most gifted writers and thinkers were wiped out by the military government of Sani Abacha.
Focusing primarily on Lomba, a journalist and frustrated novelist, who, in the opening chapter is a starving political prisoner in a Lagos jail, author Helon Habila jumps back and forth in time, introducing us in succeeding chapters to the lives of ordinary citizens of Lagos, men and women, including Lomba himself, living on Poverty Street, trying to maintain some semblance of hope in an increasingly hopeless world. Lomba, jailed for two years without a trial as the novel opens, has gone beyond anger, which he describes as "the baffled prisoner's attempt to re-crystallize his slowly dissolving self," and entered "a state of tranquil acceptance" of his fate. When the jailer finds the poems and journal entries he has written and hidden, he persuades Lomba to write some love poems for the better-educated woman he is courting. A brief ray of hope flickers when the woman recognizes Lomba's cryptic messages and comes to the prison to meet him.
The novel then flashes back to the years before Lomba's arrest, and as various episodes unfold, the author shows us the effects of this dictatorial government on the ordinary people who populate the country. Though life is difficult and opportunities almost non-existent, the young people still have hopes and dreams. When Lomba and a friend have their fortunes told by a poet, one of the young men asks to know the day of his death, which he hopes will be "spectacular and momentous," a day he is assured he will know when the time comes—and does. A second friend, whose parents have been killed in a car crash, is so grief-stricken that he makes an intemperate and idealistic speech, then is arrested, severely beaten, and driven insane. With no chance of getting his own novel published, Lomba himself takes a job writing for the Dial, for which he occasionally reports on political demonstrations, one of them a demonstration in which people peacefully protest the neglect of their neighborhood. "We are dying from lack of hope," his friend Joshua says at the demonstration. The unarmed protesters are suddenly attacked by fifty armed riot police, tear gas is exploded, protesters are severely beaten, and running women and children are killed by cars speeding on the adjacent highway.
Because the author presents these episodes in random order, depicting the families, everyday life, and hopes and dreams of the participants, the reader easily imagines what life must have been like during this time and can envision what his/her own life might have been under the same circumstances. But Habila adds further reality to his depictions of life in Nigeria under Sani Abacha by including some well-known historical events and their effects on Lomba and the fictional characters: the hanging of Ken Saro Wiwa, the killing of Dele Giwa, the editor of Newswatch magazine, by a letter bomb, and the shooting of the wife of Abiola, the opponent of Abacha who was jailed simply for challenging him.
In one of the most telling episodes in the novel, Lomba goes to a party and meets the writers and poets of Lagos. A man introduces himself to him, saying, "Hi, I am Helon Habila." Suddenly, the reader realizes how much of this novel may be autobiographical, a factor which makes the drama of the story even more intense. We know from the author's biography that he once held the same job as Lomba and that he is now living in London. What we do not know is how many of the other realistically presented events may also be true. The reader may wonder how he knows so much about life under sadistic jailers in the prisons of Lagos, though no one will doubt the accuracy of his descriptions.
Because the chronological ending--Lomba's imprisonment--appears as the first chapter, the reader experiences a sense of déjà vu throughout the reading of the novel, as the action backtracks, forcing the reader to experience the events which led up to the opening chapter and to wonder if anything could have prevented Lomba's eventual imprisonment. Habila makes us think, ponder the fragility of democratic institutions which we take for granted, and explore how the slow erosion of rights can lead to the rise of dictators who seize absolute power to continue their rule. Though the drama and violence are presented with almost journalistic clarity, the novel's emotion is engendered by our identification with the characters and our ability to understand that these are people not much different from ourselves, people who through no fault of their own have become victims of circumstance and the power of a military controlled by one man.
Habila's novel is a powerful defense of the freedom of the press and a celebration of the lives of those courageous writers who have refused to be silenced, even when faced with death. As he says, "Every oppressor knows that wherever one word is joined to another word to form a sentence, there'll be revolt. That is our work, the media: to refuse to be silenced, to encourage legitimate criticism wherever we find it." This moving study of idealistic young people refusing to give up, even when faced with threats to their very lives, is an unforgettable story of the human spirit waiting for an angel--and sometimes meeting the Angel of Death.
- Amazon readers rating: from 9 reviews
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Bibliography: (with links to Amazon.com)
- Waiting for an Angel (2003) Commonwealth Prize
- Measuring Time (2007)
- Oil on Water (2010; May 2011 in US)
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- Official website for Helon Habila
- BBC New interview with Helon Habila
- Poets & Writers interview with Helon Habila
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About the Author:
Helon Habila was born in Kaitungu, Gombe state in 1967. He lost both his father and brother to an accident when he was 22, after which he studied English and literature at the University of Jos in Nigeria, earning his degree in 1985. For two years, he an assistant lecturer in English at Federal Polytechnic in Bauchi. Where he worte a biography of the chief of his hometown and published a draft of "Prison Stories," a collection of interwoven stories about a young journalist working in the darkest days of the Abacha years. After democracy returned to Nigeria, Habila went to the city of Lagos where he eventually became the literary editor of the Vanguard newspaper. After submitting a chapter from Waiting for an Angel called "Love Poems," he won the Caine Prize for African Writing in 2001. Waiting for an Angel won the Commonwealth Prize for Best First Book, African Region, in 2003.
He is currently a writing fellow at the University of East Anglia in Norwich, England, where he lives with his wife and daughter.